Worth Reading
3 out of 5
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This poignant collection of stories from a Northwestern author are steeped in genuine experience - in failure, struggle, and common human interactions. The premises are surprisingly strange: in the title story, a man admits his uncertainty about meeting a blind man, only to find a strange sort of comfort in the new experience. But in scenarios such as this, Carver avoids both didacticism and sentimentality; his subtle, unpretentious language simply shows, with almost haunting honesty, a very real world. The characters within his barren situations are full of doubts and weakness (in 'Careful,' a man convinces himself that it's ok to drink Champange straight from the bottle in the afternoon by himself), have little aspirations, and make errors - in other words, they are very authentic. Each of these twelve short works offers a unique glimpse of both the emptiness and possibility of life.
Probably the second most well-known book by Gabriel Garcia Marquez, at least in English, Love in the Time of Cholera is a vast, beautifully written, and meticulous novel, but it fails to reach the level of One Hundred Years of Solitude, a book of incredible scope, originality, and insight. This novel taps into the same desire for the fairy-tale resiliency of love that allowed for the recent popularity of the film Slumdog Millionaire (See our review). But despite its magical flourishes, Garcia Marquez's book is probably more realistic than the comparable film, if only because he allows his characters more hedonistic diversions and greater depth. His protagonist, the romantic and stubborn Florentino Ariza, is made to wait so long for the object of his childhood lust that his is driven towards countless affairs and other fanciful endeavors, and what begins as a youthful infatuation gradually becomes perverted obsession as he ages, and by the end the qualities which were acceptable in his youth have failed to mature. In that regard it is honest, as Garcia Marquez did not deny the inevitable developments, however unusual, of his premise. Still, people seem willing to abandon disbelief for the sake of a positive outcome these days, and this novel is certainly pleasurable to read.
A 26 year old, married, ex-high school basketball star known as Rabbit runs away from his child, pregnant wife, and small home town only to end up living in the connecting small town with a prostitute. "If you have the guts to be yourself," Rabbit says, "Other people'll pay your price." The protagonist is excruciatingly selfish and throughout seems numb to the effects of his actions, though his moments of remorse reveal he is acutely aware. Updike plays to the common American urge towards escapism, typically quelled by a carefully ingrained sense of responsibility. Rabbit's motives are left ambiguous, even to himself, though it becomes obvious his solution to his problems is (and always has been) sex. Rabbit, Run is a well written, non-intrusively didactic story that follows a lost and irresponsible young man through his struggles, fraught with intriguing, believable characters and a fast plot which plowed the way for 3 sequels and a novella.
This novel of espionage and terrorism, set in early 20th century London, tells the tale of a double agent assigned to a dubious task. Its ironical style is well-orchestrated but traps the narration into excessive omniscience; the interactions are drawn out and the insight into characters is too complete. It seems that the subject matter was not deeply understood by Conrad, and consequently it lacks the vividness and confidence of his seafaring novels, causing his typical verbosity and descriptiveness to hang like dead weight. Despite its shortcomings, it is still Conrad, and provides some insightful glimpses into themes (including terrorism and the involvement of the state) that are maybe even more relevant today.